Author’s Note: The final confrontation between Mara and Dracula reveals the identity of the mysterious alchemist and the source of Vlad’s vampirism.
Act VII Scene VII
(The front of the tower. Mara and Vlad continue to face off in front of the regiment of stakes outside the tower. Marica is still visible at the second floor window, holding Livia by the hair.)
Mara: (indignant) Is that a bite mark on her neck? You fed on her you bastard!
Vlad: Of course I did. Isn’t that what she is for? Your blood-whore?
Mara: (balling her fists) How dare you –
Vlad: I knew it when I saw the brand. Like your necklace there, I’d seen it before. What magic do you work on them to make their blood so sweet?
Mara: You fucking pig! They’re bred for something finer than blood. Who are you? How do you know about the Sinesti?
Vlad: It’s my turn to make the demands now, isn’t it? I’ve shown you Livia. She is safe, if only for the moment.
Mara: (thinking silently to herself) There’s something vital here I’m missing, some key that links this man to my past. It’s obvious he got the book at some point, but how does he know my marks, my family?
Vlad: First I want the book. I know you brought it.
Mara: And if I don’t?
Vlad: That’s very simple. (calling up) Marica? Do you see the little knives on the table near you? Please take one and cut Livia so we can watch her bleed.
Marica: Nothing would please me more, voivode.
Livia: Go ahead and cut me, bitch. It’s only flesh.
Mara: No. Stop. I’ll give you what you want.
(Mara takes the book out of the rucksack and holds it out to Vlad. She waits for him to come to her to take it.)
Mara: (internally) Come on. Just a little closer. Put your hand where I can touch it, then we’ll see what’s really going on … almost … almost … gotcha!
(Vlad reaches out to take the book. The moment his hand comes close to hers, she grabs it. There is a sound like a sudden inhalation. Vlad’s eyes widen and we seem to dive into his pupils. A flurry of images begins to play across the screen, occasionally interspersed with an image of Mara and an image of Vlad as they stand there, eyes locked on one another. All the images last only a few seconds, appearing just long enough for the major details to register:)
Image 1: Vlad in full armor, leading a group of soldiers to the foot of theSaracenTower at a time when it was part of a larger fortification and everything was in good repair.
Image 2: Chaos in the halls, and Vlad seizing a fleeing woman by the hair. She bears a half-moon brand at the base of her neck. He seems puzzled by this.
Mara: (voiceover) You invaded them? You killed my people? Where was I?
Image 3: A library. A hooded figure sits behind a desk, the book open before it. A necklace nearly identical to Mara’s is prominent on his chest. Vlad approaches the figure cautiously, dagger pointing at its chest. With the tip of the dagger, he flips back the hood. There is a resemblance to Mara, but more specifically to the second face we have seen underneath hers. The man’s eyes stare glassily into space; he has been dead for several days.
Vlad: (voiceover) The alchemist…
Mara: (voiceover) That’s your alchemist?
Image 5: More mayhem in the tower. Men and women with the crescent mark throwing themselves on a prone figure. Vlad’s soldiers tear them away. Vlad approaches the figure. It is a boy, lying insensible. Disgusted and confused, Vlad gestures for him to be killed.
Mara: (voiceover) You killed the boy? No wonder I can’t remember anything!
Vlad: (voiceover) It was a mercy. He was half-dead already. You saw? He did not move!
Mara: (voiceover, disgusted) You still have no idea what you did. You understand none of this! What then,Vladimir? How did you become what you are now?
Image 5: Vlad in the library, pouring over the book, comparing the script to notes scribed on vellum in several different languages.
Vlad: (voiceover) Such secrets it held! The key to eternal life. You act like I am an idiot, woman, but I understood enough. All it required was sacrifice.
Image 6: Vlad in a stone chamber, braziers burning at the four corners, a stone slab in the center covered in a white linen cloth. A young man, healthy & muscular, is bound to the stone table. Vlad holds a shallow copper bowl in one hand and a small, wickedly curved dagger in the other. He approaches the man with the knife.
Mara: (voiceover) You killed him and drank his blood? That’s not what it meant. You’re supposed to die yourself, then become him! That’s the sacrifice, you fool!
Images 7 & 8: Vlad, with the bowl full of blood, carving sigils into his own flesh. He dips in the dagger, then carves more signs, carefully mingling his blood with that of the sacrifice.
We get a second perspective of the sigil-carving, white flesh accented with swirling lines of dark blood. Vlad finishes. His face is pale, his brow is beaded with sweat. Trembling with exhaustion and pain, he drinks from the bowl.
Mara: (voiceover) No wonder you’re so tied to the blood.
Image 9: Vlad, looking pale and dead and still, stretched out on the stone table. The sigils have healed to pale scars. He looks dead, then his entire body convulses, eyes fly wide, and he screams like a newborn. His eyes glow red and his fangs are prominent.
Mara: (voiceover) You perverted the ritual. I can’t believe it even succeeded. You had no idea what you were doing –
(Johnny’s voice intrudes suddenly on the telepathic space.)
Johnny: (voiceover) Mara! She’s got a knife! She’s going to cut Livia!
(As Johnny’s voice breaks in, we get a final image in the rapid telepathic slide-show. This is of the second floor of the tower, Johnny lifting himself onto the back window, gun in hand. Marica and Livia struggle near the front, Marica brandishing a knife at Livia. We cut immediately back to where Mara and Vlad stand locked together in the street. Vlad’s eyes go wide with sudden fury.)
Act VII Scene VIII
(Mara and Vlad standing in the street. Vlad’s eyes flash a wicked red. He snarls and rips his hand out of Mara’s grasp. The connection is abruptly broken.)
Vlad: (shouting up to the tower) Traitors! Marica! He has a gun!
(Vlad shoves the book at Mara, knocking her back several feet. He turns to run into the tower, yelling over his shoulder.)
Vlad: Morgan! NOW!!!
(Mara lands on her back in the street. She tilts her head back and from this awkward perspective sees Morgan and about half a dozen other vampires streaming out of the houses behind her.)
(Mara jumps to her feet as they swarm her. As she stands, she calls her power. Her eyes glow with white fire and the other face, made of translucent light, seems to press against the inside of her skin. She braces herself as they come at her, loosing a primal yell in which her own voice is lost in that deeper, masculine tone.
As her whole body is wreathed in rising, pale wisps, we see for the first time white-hot lines of fire trace sigils down her arms and her torso. They are very similar in pattern to the sigils carved on Vlad. Then all the vampires crash into her, trying to drag her down. She begins to fight, bellowing into the night. She catches one vampire, throws him several feet to crash into a wall. Like a ballet dancer, she dodges two others, striking a third in the chest and ripping out his soul. They just keep coming. She moves faster and faster, dodging, grappling, landing blows. When she gets a little breathing room, she glances up at the tower.)
Mara: You’ve got company, John!